A prequel set before the haunting of the Lambert family that reveals how gifted psychic Elise Rainier reluctantly agrees to use her ability to contact the dead in order to help a teenage girl who has been targeted by a dangerous supernatural entity.
12 years after the tragic death of their little girl, a dollmaker and his wife welcome a nun and several girls from a shuttered orphanage into their home, where they soon become the target of the dollmaker's possessed creation, Annabelle.
Bodies are turning up around the city, each having met a uniquely gruesome demise. As the investigation proceeds, evidence points to one suspect: John Kramer, the man known as Jigsaw, who has been dead for over 10 years.
Callum Keith Rennie
The parapsychologist Dr. Elise Rainier has nightmares with her childhood in New Mexico, where she lived with her brother Christian, her supportive mother Audrey and her father Gerald, who frequently beats her when she claims that she sees ghosts everywhere in the house. When the client Ted Garza calls Elise to ask for help since he is haunted since he moved to a house in New Mexico, Elise refuses the request since the address is the same house where she spent her childhood. However she changes her mind and accepts the job, and travels with her assistants Specs and Tucker to New Mexico where they will discover an evil entity in the house.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
At about 53:03 while Elise is in the basement behind the door an overhead microphone is clearly visible. See more »
I'm going to get the attention of all the spirits in this house. I need things that were important to Garza. Specs, go upstairs. There is a bible he held very dear to him. It was a red, King James version; I need you to find it. Take Imogen with you.
And do not let her out of your sight.
[Specs and Imogen head upstairs]
Tucker and I are going down to the fallout shelter.
What- I get the death chamber and he gets bible camp with the most beautiful girl on earth? That's not a ...
[...] See more »
The Last Key is filled with recycled ideas and imagery from the previous Insidious films. Characters will make decisions in one scene, only to inexplicably decide the exact opposite in the following scene. Most of the suspenseful scenes feel ripped straight from the previous entries in the franchise (or from other similar series like the Conjuring or Ouija). Worst of all, The Last Key seems to feel the need to remind of you of the other Insidious films and previous scenes with needless flashbacks and reincorporation. The humor is often misplaced, pacing is disjointed, but at least the score will be sure to remind you of when you're supposed to be scared.
Despite some cool looking sets, there is little to enjoy in this film. The Last Key is a bland entry in a tired series.
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