In Northern Italy in 1983, seventeen year-old Elio begins a relationship with visiting Oliver, his father's research assistant, with whom he bonds over his emerging sexuality, their Jewish heritage, and the beguiling Italian landscape.
It's time for a young African-American to meet with his white girlfriend's parents for a weekend in their secluded estate in the woods, but before long, the friendly and polite ambience will give way to a nightmare.
During the early days of World War II, the fate of Western Europe hangs on the newly-appointed British Prime Minister Winston Churchill, who must decide whether to negotiate with Adolf Hitler, or fight on against incredible odds.
Kristin Scott Thomas
From master storyteller Guillermo del Toro comes THE SHAPE OF WATER, an otherworldly fable set against the backdrop of Cold War era America circa 1962. In the hidden high-security government laboratory where she works, lonely Elisa (Sally Hawkins) is trapped in a life of isolation. Elisa's life is changed forever when she and co-worker Zelda (Octavia Spencer) discover a secret classified experiment. Rounding out the cast are Michael Shannon, Richard Jenkins, Michael Stuhlbarg, and Doug Jones. Written by
Fox Searchlight Pictures
At around 17:50, security is leaving the men's room and you can hear a door latch. when the door opens and closes. The door has a handle, not a knob. Therefore you would only hear a thump as the door hit the door jamb closing. See more »
Get him out? What are you talking about? No! Absolutely not!
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Guillermo Del Toro's newest film "The Shape of Water" took my breath away. Easily this is Del Toro's finest film since "Pan's Labyrinth" and may even be his best in general. This is a film where Del Toro weaves magic throughout with a story he created which is simple, yet layered with such interesting facets embedded in each character, set, and prop as he allows the audience to discover this intimate and fascinating world of "broken" people searching for a moment of meaning. Captivating from its opening scenes with haunting visual imagery, and a lyrical score by Alexandre Desplat, one is immediately enthralled by this fairy tale that is not your usual saccharine variety that Disney cranks out.
Del Toro knows how to tell a story with wit, style and heart. Assembling a cast headed by the incandescent Sally Hawkins in the role of Eliza who is mute throughout the film, but exudes such humanity and strength along with the villainous Michael Shannon who provides a great balance. Every single actor sparkles because every character has been developed with great care. Richard Jenkins and Octavia Spencer shine in their roles bringing a touch of quirkiness and humor to this sometimes dark story.
The film is achingly nostalgic with glorious production design by Paul D. Austerberry evoking the Baltimore of 1962 full of fascinating textures of faded glory, especially in the magnificent design of Eliza's apartment and hallways. Exquisite camera work by Dan Laustsen and beautifully designed costumes by Luis Sequiera contribute greatly to complete Guillermo Del Toro's vision.
This film is really the ultimate version of "Beauty and The Beast" with a touch of "ET", capped off with a very emotional investment, that pays off for the audience in its poetic and lyrical final scene.
Certainly one of the finest films of 2017.
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